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Chrissy Flatt still
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Chissy Flatt still
Dimensions: 5 X 3.7 inches
Resolution: 300 DPI
Mode: Grayscale
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Austin
American Statesman's XL
Best Reason Not to Hate Singer-Songwriters
If you yearn to pick up a guitar and spin stories about hard luck,
lost love and small Texas towns, let me beg you not to. I don't
hate alt-country singer-songwriters. But, after much cruel, and
boring, experience, I mistrust new ones. So it was with suspicion
I went to see Chrissy Flatt play. It took about one song to win
me over. Her music is smart and sad and way too tough to mope. She
covers the Kinks' "I'm Not Like Everybody Else," and I
don't think she could be if she tried. We crow a lot in this city
about being different -- Chrissy Flatt actually is. -- Sarah Lindner
AMPLIFIER Magazine
Chrissy Flatt
Walk With Kings
If Dylan ever hears the title track to this record, he'd swear on
Al Kooper's Hammond B-3 that it was his idea in the first place.
Romantically inclined and decidedly rootsy chanteuse Chrissy Flatt
sounds nothing like his Bob-ness,
though she does approach her art with a classic 60's Greenwich Village
singer-songwriter aesthetic that is pleasing, effective and ultimately
refreshing. "Further Away" bursts out of the gate with
jangle-pop arpeggios and a comfortable reggae-inflected half-time
groove. Guitarist Eric Hisaw's single-note, reverb tempered solos
and cutting counterpoint harmonies beckon early George Harrison
via Chet Atkins memories on each track, while the rhythm section
plays it cool and simple. Flatt hits her stride in a myriad of settings,
be it a country dirge ("Madman"), a torch song ("Reach
Out Your Hand"), Americana ("She Ain't Waiting For You")
or a rambling narrative ("Almost Famous"). With breezy
melodies, smart lyrics, and sturdy arrangements featuring violins
and an actual Hammond B3 (not Kooper's) Flatt's Walk With Kings
is an enjoyable listen for sharp minded folk pop purists.
TOM SEMIOLI
Texas Music
CHRISSY FLATT
Walk With Kings
One hates to judge a record by its cover, but nothing captures the
essence of Chrissy Flatts second album, Walk With Kings,
better than her takes-one-to-know-one pass at the Kinks Im
Not Like Everybody Else. With her flair for sharp, memorable
melodies (both buoyant and bittersweet) evoking the best of 60s
rock and pop, Flatt is an Austin singer-songwriter who
fits into that rigid mold as uncomfortably as fellow misfit Ray
Davies fit in among his own peers. Kings fully delivers on the promise
of Flatts exceptional 2002 debut, Wings of a Butterfly, from
the winsome title tracks inventive look at love through past-life
regression to snarling, politically charged rockers like Came
Back Broken and Sign Up Here that more than match
the defiant spirit of the Kinks cover. But not unlike many of her
rock n roll heroes, Flatt shines especially bright on
the ballads; she nails the melancholic sweep of the devastating
Cold Day, and her tender delivery of Madman,
an unconventional take on unrequited love, is a thing of
understated beauty. RICHARD SKANSE
Austin Chronicle
Phases and Stages
Girlie action
BY MARGARET MOSER
Chrissy Flatt's Walk With Kings is a notable sophomore effort
from the Central Texas native. 2002's Wings of a Butterfly
introduced her to listeners, and a cover of Ray Davies' "I'm
Not Like Everybody Else" willkeep their attention. Her songwriting
is stronger than her voice, yet there's enough in both to get the
"Girlie Action" seal of approval.
MAVERICK (UK)
Chrissy Flatt is a Texas gal, but she doesn't sound like all the others on WALK WITH KINGS (www.chrissyflatt.com) *** her second album. Her one cover, the Kinks' I'm Not Like Everybody Else, sums up the woman's musical stance. She deftly mixes country, old school soul, 1960's pop and folk-rock into a sound that is all her own. There's a definite Del Shannon influence on the opening Further Away, a great tune full of drama. Chrissy specializes in themes of loss and dispair, from unrequited love (Madman) to death (Reach Out Your Hand) to depression (Cold Day). Accompanied by some of Austin's best musicians: Eric Hisaw (production, guitar), Ron Flynt (bass and organ), Stephen Belans (drums), and Brian Standefer (cello), along with guests Darcie Deaville and Erik Hokkanen (violin), Paul Pearcy(drums) and Michael "Cornbread" Traylor (backup vocals), this is an album that both rocks and offers deep-felt reflections.
Alan Cackett
3rd Coast Music
"Chrissy Flatt is one of the most promising young musicians
in Austin."
John Conquest , April 2002
Memphis Flyer Sound Advice
Chris Davis | 10/8/2004
" ... Her vocals range from beautifully twangy to typically
disaffected, and her songwriting ranges from full-on flaky to breathtaking,
with very little in between. "Came Back Broken" may be
about the horrors of the Vietnam War, but it's also a chilling reminder
that a lot of perfectly good young men who have been sent far away
to kill for their country aren't going to be the same when they
come home.
P.L.C. Chrissy
Rockzilla
"All told, the 11 original tracks here showcase a developing
talent in a positive light...If you're in the neighborhood of the
Lone Star capital, swing by and catch her at one of her local gigs.
She's got a shot at being one hell of a keeper." - David Pilot
Magnet Magazine
"With a title like Wings Of A Butterfly and cover art showing
her holding a butterfly in her cupped hands, bleached blonde Texan
Chrissy Flatt's self released debut looks like something for my
Bad Malibu Stacy doll collectors. Fortunately, the music within
is gutsier than the cover image, marking Flatt as a country/rock
singer/songwriter worth keeping an eye on - especially if she starts
worshipping sewer roaches or othersuch malevolent insects."
Robert Baird
Written
and translated by Johanna J. Bodde for
Real Roots Cafe, The Netherlands
(www.realrootscafe.com)
Chrissy Flatt - "Walk With Kings"
At the end of my enthusiastic review regarding debut-album "Wings
Of A Butterfly", I wrote that I would really like to hear from
Chrissy again. That opportunity came now, as "Walk With Kings",
including a pretty coverphoto and lay-out, was released! An album
that combines the strong points of the first one and adds a few
too. The twelve tracks lean more towards rock this time and
I also hear some flirting with 60's pop, there's even a perfectly
chosen cover of The Kinks included: "I'm Not Like Everybody
Else". Chrissy's partner Eric Hisaw (their first ever encounter
was at a punkclub), wrote one song again, took care of the production
and played acoustic and electric guitars. The musicians from the
first album also participate here: bassist/organ player Ron Flynt,
drummer Stephen Belans (Beaver Nelson) and cello player Brian Standefer
(Alejandro Escovedo, Patti Griffin), a guarantee for quality. Chrissy's
one-of-a-kind, fragile voice became a bit stronger and she unfolded
herself completely as a songwriter in the meantime! She didn't
receive much on a silver platter in her own life, so she can put
herself in the place and feelings of other people, like no other.
The title track deals with the interesting subject of reincarnation.
"Murder In The Garden" developes as a mini-thriller about
a lady who gets shot in her paradisiacal garden, while she poisons
cats! "Came Back Broken" has a Vietnam-veteran as the
leading character and "Sign Up Here" is a rhythmic protest against
the political system. "Reach Out Your Hand", a quiet song
that tries to bring comfort for a person who doesn't have a
long time to live anymore, is the most beautiful... Whatever the
subject is that Chrissy sings about, it comes straight from her
heart!
#18 on Freeform American Roots Chart (FAR July 2004)
What's Up El Paso
MAN THAT?S HIP
Chrissy Flatt - Cafe Latte, April 16
By Michael Divine
Not many performers work without a net. Chrissy Flatt is one of
them. Her latest CD, "Walk With Kings" is completely void
of studio effects and pretension. From the first moments of the
opening track "Further Away," you feel as if she is right
in front and looking you directly in the eyes while singing with
a stark reality most performers shy away from. With a basis in 1960's
raw folk, she has given the genre known as "Americana"
a true wake up call. In all honesty, some of these songs are so
heartfelt that you feel as if you are sneaking a peek at someone's
diary without them knowing it. We all know how much fun that can
be. The nice thing about all of this is that she is not going unnoticed.
From a wide variety of newspapers to music magazines all around
Texas, they all sing her praises. She has been called "One
of the most promising young musicians in Austin" by 3rd Coast
Music. Texas Music Magazine states that "she is the best unknown
singer/songwriter I've ever heard." She somehow manages to
remain humble and hard-working even after receiving so many compliments
like that from the press. This proves that there are some entertainers
out there who have no choice but to be authentic. They just don't
know any other way. Chrissy is at this stage in her career for genuine
reasons. No one has manufactured her sound. There isn't any large
music conglomorate pulling her strings. And, although she may never
find herself with a Top 40 Hit or her name a household word, the
choice for her to remain true to her values is worth a trade-off.
Luckily you can see her perform in an intimate venue. Cafe Latte
has a nice sized stage and clean sound system with every seat in
the house up close and personal. Shows like this are great date
material.
MORE PRESS
El Paso Times
Entertainment Friday, April 15, 2005
Getting real
Singer-songwriter makes waves in Austin
by Sam Aselstine
With the release of her sophomore CD "Walk With Kings"
last year, Chrissy Flatt proved she's the real deal, artistically.
Perhaps more importantly in a world where so many people aren't
what they seem, and where most musical "successes" are
the strategically planned work of conglomerate record companies,
Chrissy Flatt is real. From her compassionate views on life, all
forms of it ... to the heartfelt and poignant lyrics she uses to
articulate those views ... to the meticulous and personalized press
kits she self-produces to promote a career that seems to be only
just beginning to take flight ...
#12 on KFBX Oct. 2004
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